<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://omeka.pmarty.org/items/show/100">
    <dcterms:title><![CDATA[Emmy Lou: her book &amp; heart]]></dcterms:title>
    <dcterms:subject><![CDATA[Books]]></dcterms:subject>
    <dcterms:subject><![CDATA[Schools]]></dcterms:subject>
    <dcterms:description><![CDATA[Antiquarian book written by George Madden Martin, the pen name for Georgia Martin née Madden.  FIctional story is based on the life of a motherless child, Emmy Lou, in the early 20th century who is raised by aunts while her father is away.  Each chapter is based on a year in Emmy Lou’s education from early schooling to high school. Book is in fair condition with the owner&#039;s inscription, cracked hinges, worn and soiled pages, but remains intact. <br />
]]></dcterms:description>
    <dcterms:creator><![CDATA[Martin, George Madden 1866-1946]]></dcterms:creator>
    <dcterms:publisher><![CDATA[McClure, Phillips &amp; Co.]]></dcterms:publisher>
    <dcterms:date><![CDATA[1902 ]]></dcterms:date>
    <dcterms:dateCopyrighted><![CDATA[1902]]></dcterms:dateCopyrighted>
    <dcterms:format><![CDATA[1.9 x 1.35 x .3 cm]]></dcterms:format>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Text]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://omeka.pmarty.org/items/show/99">
    <dcterms:title><![CDATA[Boise Capital]]></dcterms:title>
    <dcterms:subject><![CDATA[Paintings]]></dcterms:subject>
    <dcterms:subject><![CDATA[Idaho]]></dcterms:subject>
    <dcterms:subject><![CDATA[Capital buildings]]></dcterms:subject>
    <dcterms:description><![CDATA[Small oil on canvas painting of the Boise capital with the foothills in the background.]]></dcterms:description>
    <dcterms:creator><![CDATA[Avery, Connie]]></dcterms:creator>
    <dcterms:date><![CDATA[2012]]></dcterms:date>
    <dcterms:format><![CDATA[.5 x .7 cm]]></dcterms:format>
    <dcterms:medium><![CDATA[Oil painting]]></dcterms:medium>
    <dcterms:type><![CDATA[Still image]]></dcterms:type>
    <dcterms:coverage><![CDATA[Boise]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://omeka.pmarty.org/items/show/98">
    <dcterms:title><![CDATA[Comtesse D’Haussonville Notecard]]></dcterms:title>
    <dcterms:subject><![CDATA[Notecards]]></dcterms:subject>
    <dcterms:subject><![CDATA[France]]></dcterms:subject>
    <dcterms:subject><![CDATA[Neoclassicism]]></dcterms:subject>
    <dcterms:subject><![CDATA[Portraits ]]></dcterms:subject>
    <dcterms:description><![CDATA[Notecard reproduction of painting by Jean-Auguste-Dominique Ingres, Portrait of Comtesse D’Haussonville.  ]]></dcterms:description>
    <dcterms:description><![CDATA[“Louise, Princesse de Broglie (1818–82) and granddaughter of Madame de Staël, married at the age of eighteen. Her husband was a diplomat, writer, and member of the French Academy, and she herself published a number of books, including biographies of Robert Emmet and Byron. For her time and her elevated social caste, she was outspokenly independent and liberal. This portrait, begun in 1842, was the fruit of several false starts and a great many preparatory drawings, including full-scale studies of the raised left arm, the head, and its reflection. According to a letter written by the artist, the finished work “aroused a storm of approval among her family and friends.” Ingres appears to have surprised the young lady in the intimacy of her boudoir, where she leans against an upholstered fireplace, having just discarded her evening wrap and opera glasses.” - Art in The Frick Collection: Paintings, Sculpture, Decorative Arts, New York: Harry N. Abrams, 1996.]]></dcterms:description>
    <dcterms:creator><![CDATA[The Frick Collection, New York]]></dcterms:creator>
    <dcterms:source><![CDATA[Ingres, Jean-Auguste-Dominique]]></dcterms:source>
    <dcterms:date><![CDATA[2012-10]]></dcterms:date>
    <dcterms:created><![CDATA[1845]]></dcterms:created>
    <dcterms:format><![CDATA[1.55 x 1 cm]]></dcterms:format>
    <dcterms:type><![CDATA[Still image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://omeka.pmarty.org/items/show/97">
    <dcterms:title><![CDATA[Postcard image of presidential limousine turning onto Main Street in downtown Dallas]]></dcterms:title>
    <dcterms:subject><![CDATA[Picture Postcards]]></dcterms:subject>
    <dcterms:subject><![CDATA[Dallas]]></dcterms:subject>
    <dcterms:subject><![CDATA[Kennedy, John F. (John Fitzgerald), 1917-1963--Assassination.<br />
]]></dcterms:subject>
    <dcterms:description><![CDATA[Postcard with image of presidential motorcade (Dallas). Reverse includes The Sixth Floor Museum at Dealey Plaza logo, description of image, copyright information, address, ISBN, bar code and indicator for stamp. ]]></dcterms:description>
    <dcterms:description><![CDATA[ “Original 35mm black and white negative taken by Dallas Times Herald and United Press International newspaper photographer Darryl Heikes showing the presidential motorcade turning from Harwood street onto Main street in downtown Dallas. Secret Service Agent Clint Hill, assigned to Jacqueline Kennedy, occasionally rode on the rear bumper of the president&#039;s car, as seen in this image, when the crowds grew heavy.” -  The Sixth Floor Museum at Dealey Plaza]]></dcterms:description>
    <dcterms:description><![CDATA[“This extraordinary image is perhaps the most famous photograph of the Kennedy motorcade not taken in Dealey Plaza.  According to his 2008 oral history with the Museum, photographer Darryl Heikes had noticed the large &quot;All The Way With JFK&quot; sign before the motorcade&#039;s arrival at the intersection and, in order to get the best photograph possible, asked the person holding the sign to make sure it was clearly visible when the limousine passed by.”  - Stephen Fagin, Curator, The Sixth Floor Museum at Dealey Plaza ]]></dcterms:description>
    <dcterms:creator><![CDATA[The Sixth Floor Museum at Dealey Plaza]]></dcterms:creator>
    <dcterms:source><![CDATA[Heikes, Darryl]]></dcterms:source>
    <dcterms:publisher><![CDATA[Dallas Herald Times]]></dcterms:publisher>
    <dcterms:date><![CDATA[2017-04]]></dcterms:date>
    <dcterms:format><![CDATA[1.15 x 1.65 cm ]]></dcterms:format>
    <dcterms:type><![CDATA[Still Image]]></dcterms:type>
    <dcterms:type><![CDATA[Printed ephemera]]></dcterms:type>
    <dcterms:coverage><![CDATA[November 22, 1963]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://omeka.pmarty.org/items/show/59">
    <dcterms:title><![CDATA[Bowl]]></dcterms:title>
    <dcterms:subject><![CDATA[Decorative Arts]]></dcterms:subject>
    <dcterms:subject><![CDATA[Sterling silver]]></dcterms:subject>
    <dcterms:description><![CDATA[Sterling silver bon bon bowl in Nancy Lee pattern (x487). Antique silver typically has a hallmark, as seen on the bottom of this piece. The mark notes the manufacturer (“R” located inside a shield shape flanked by birds on either side).  The term “Sterling” is also visible which indicates 92.5% pure silver, 7.5% other metals.  Finally, this piece was crafted during a period when Reed &amp; Barton used a symbol to represent the year it was manufactured; here, a canon is depicted indicating the year 1940.]]></dcterms:description>
    <dcterms:creator><![CDATA[Reed &amp; Barton]]></dcterms:creator>
    <dcterms:date><![CDATA[1940]]></dcterms:date>
    <dcterms:format><![CDATA[Diameter 1.6 cm; height .3 cm ]]></dcterms:format>
    <dcterms:medium><![CDATA[Silver]]></dcterms:medium>
    <dcterms:type><![CDATA[Physical Object]]></dcterms:type>
</rdf:Description></rdf:RDF>
